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Happiness box in Vernis Martin with Venus decoration, Louis XVI period
Happiness box in Vernis Martin with Venus decoration, Louis XVI period
Happiness box in Vernis Martin with Venus decoration, Louis XVI period
Happiness box in Vernis Martin with Venus decoration, Louis XVI period
Happiness box in Vernis Martin with Venus decoration, Louis XVI period
Happiness box in Vernis Martin with Venus decoration, Louis XVI period
Happiness box in Vernis Martin with Venus decoration, Louis XVI period

Curiosités

Happiness box in Vernis Martin with Venus decoration, Louis XVI period

Superb happiness box in Vernis Martin with Venus decoration, Louis XVI period”
Round tortoiseshell box. It has a Martin varnish decoration on all sides.
The animated scenes represent “The Maritime Venus”, victorious over the waters.
Depicted are putti riding dolphins, gods and goddesses, and swimming mermaids. The frame is gold. Inside are old collector's labels.
Dimensions: diameter, 6 cm
height: 2.5 cm
French work circa 1780

These are the Martin brothers, whose fame associated their name with their technique, and then with all the lacquers produced in France. These varnishes, worked according to the same principle of superimposed layers as Far Eastern lacquer, nevertheless have nothing in common with it from the point of view of chemical composition. They vary depending on the workshop and their recipe is kept secret.

Delphine & Natty's opinion

Martin varnish is the result of research to approach the lacquer technique. It enhances all types of supports and applies to all shapes, from the smallest object to the largest. The interiors of large residences are filled with it, making Martin varnish a witness to the art of living in 18th century France.
Authenticated object, rigorously checked in the workshop and certified.

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The house SEBLANTIC
Happiness box in Vernis Martin with Venus decoration, Louis XVI period

The history of jewelry

These are the Martin brothers, whose fame associated their name with their technique, and then with all the lacquers produced in France. These varnishes, worked according to the same principle of superimposed layers as Far Eastern lacquer, nevertheless have nothing in common with it from the point of view of chemical composition. They vary depending on the workshop and their recipe is kept secret.

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